‘Lost’ was a gripping, groundbreaking smash, but the show evolved into such a toxic production that even co-showrunner Damon Lindelof now says of his leadership: “I failed.” In a powerful excerpt from her new book, moryan opens the hatch.
Early on, when Abrams and others on the creative team gave Harold Perrineau the full-court press in hopes of convincing him to join the cast, he had been in twoHe also played a key role in TV’s brave new golden age: He was part of the ensemble on HBO’s provocative prison sagabut securing Perrineau was, as they say in the industry, a big get. “Harold had one of the biggest careers of all of us whenbegan,” noted Daniel Dae Kim, another member of the cast. “He’s a very talented actor.
“I can only describe it as hazing. It was very much middle school and relentlessly cruel. And I've never heard that much racist commentary in one room in my career.”in various capacities, it’s clear that the landmark series played right into Hollywood’s most long-standing patterns, in which auteurs wield enormous power with very little oversight. Later, you will hear from Lindelof and Cuse at length regarding the allegations and issues their former colleagues raised with me.
On set in Hawaii, much of the cast got along really well, at least at first. “A lot of us grew very close,” said an actor I’ll call Sloan. “The thing that kind of created a rift in the cast was money.” Perrineau and Sloan told me that the cast had discussions about holding firm and asking for equal pay when salary renegotiations with ABC Studios began. According to both, promises were made to present a united front. Almost a decade earlier, the cast ofthe united front quickly crumbled.
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