“ ‘Magic Mike’ is about capitalism,” Lfeidel writes. Channing Tatum’s character, a six-year veteran at the Exquisite Male Dance Revue, displays a wincing, genuine precarity. In the club, though, he’s king.
” is about capitalism. A thong is perhaps the least undignified costume that Tatum’s character, a six-year veteran of the Xquisite Male Dance Revue, dons to make ends meet: when he’s not at the club, he straps on a tool belt to lay roofing tile in dangerous heat, perches glasses on his nose to angle for a small-business loan, and keeps his dashboard dressed in protective plastic so that his car can be resold.
But good dancing is good dancing anywhere; bad steps can even serve to highlight a good mover, like a seasoned actor reworking bad lines. I remember vividly when I first saw a leaked video, inof Tatum stripping as an eighteen-year-old. I don’t remember much about the choreography or the nudity. What I remember is the way that Tatum used his socks.
That stripping can be an art form is taken as self-evident by the professionals auditioning for Mike’s show, as they meld slick gyrations with pirouettes and breakdancing. But Mike must still teach them a thing or two about intimacy, which doubles, in the film, as a way to showcase Tatum’s undiminished ability to use his body to connect with another person, in front of a camera, with warmth and a sense of privacy.
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