Martin McDonagh is no longer an enfant terrible—“maybe just the terrible,” he tells V.F. Back on Broadway with his new play 'Hangmen,' he remains the greatest trash-talker in the American theater.
that insisted we overlook his campaign of quiet terror and find common ground with him.”
When I asked McDonagh two years ago in Joe Allen’s restaurant in the Theater District why there are so many dead kids in his plays, he balked: “There’s not a lot of kids murdered in my works,” he said. “There’s just the right amount.” Then he nodded his head toward the kid at the table in front of us and smirked: “Uh-oh.”
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