'It’s made this experience so special, and it was such a bonding experience for all of us to go through this film together.' Mary Elizabeth Winstead talks starring in the women-centric (both on and off camera) film BirdsOfPrey
was definitely a big, huge leap in that direction for me to really train hard with a stunt team and go beyond what I’ve done before in terms of fight training and physicality. I really loved it.
It was with 87eleven, and it was great. It was based on a lot of jiu-jitsu, throws, wrestling and martial arts drills. That’s what they instilled in me from the very beginning, but I did not get to do any motorcycle training. I thought I might when I read the script; I was excited. I thought I’d maybe get to learn how to ride a motorcycle, but since Huntress wears a helmet, there was no need. My double [Dena Sodano] got to have all the fun in that regard.I do, yeah.
That was designed to be me because it’s all in one shot. It was really cool the way that we shot it. When the camera would move away from me, Rosie [Perez] would walk into it, and it would become the present. When she would walk out of frame, the camera would move around and I would step in as we flashed back to my fight scene. So it was a really cool and elaborate one-shot kind of a scene that was fun to shoot.
When most people get home from work, they often want to completely disconnect and decompress from their day job. For example, if a sushi chef makes sushi all day, the last thing they want to do is to eat sushi at home. Because your day job involves feeling and emoting, do you tend to turn yourself off when you get home, since you’ve had to be “on” all day on set?
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