The Netflix series’s creator opens up about season seven’s most brutal moments OITNB
The show seemed traumatized too: Poussey’s death reverberated through the following seasons, plunginginto progressively bleaker territory. The writers pulled back the curtain on the horrors of the prison-industrial complex, taken over by private corporations obsessed with cost-cutting and unconcerned with rehabilitation. “We ain’t people no more. We bulk items,” one inmate said.
The writers knew they wanted to incorporate a storyline for Maritza, since the parents of the actor who plays her—In the Country We Love. “Nothing brought me more delight in the room, and then on set seeing the actors [perform] it, as when Suzanne was writing her sci-fi porn novel,” Herrmann remembered of the show’s early days. “Thinking of those stories in the room was such a break from prison for us—that was pure joy!”and sequels , but said she and Herrmann are currently focusing on lighter fare. They are executive producers of a new Netflix comedy created byabout teenage twin sister rebels.
“We shot hard, emotional scenes for seven years,” Kohan said. “But when you’re on set, and you know it’s the last time you’re shooting one of those scenes with someone, and…they burst into tears, it’s intense.” When everyone came in for a group picture at the end, Danielle Brooks surprised the ensemble by singing the original song that runs over the final credits. As Kohan recalled, “There were a lot of people breaking down, including Danielle.
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