Sometimes hard truths must be faced: We’re experiencing a global mental health crisis. “Over the last two years alone, we’ve seen a 50% increase in teens appearing at emergency rooms with suicidal …
.” These screenplays dare to explore how individuals and families cope — or spiral downward.
This connection between his audience and Zeller, who’s convinced that “tragedy is preventable,” compels the filmmaker. “So many people have experienced this as parents, have felt their powerlessness … but I also feel that there is so much ignorance, shame, guilt and denial. I really wanted to make that film to open a conversation.”
“Charlie’s a deeply sensitive guy who had a dramatic life event that sent him spiraling,” says Hunter, referring to the tragic death of the male lover for whom he left his wife and daughter. “Only when Charlie faces his mortality does he realize he has to be a parent to his daughter… Subconsciously or consciously, he’s protecting her from himself but, in so doing, exacerbated the problem.
An apparent eating disorder is also symptomatic of the depression Empress Elisabeth of Austria experiences in Marie Kreutzer’s creative biopic “Corsage.” The title refers to the French for corset or bodice, which represents the restrictions under which she lives. That undergarment squeezing her breath to a state of anxiety, and necessitating an infinitesimal waistline, has become increasingly challenging as she turns 40 in 1877.
This sense that she’s not seen as a person, but as a royal prop, contributes to her unhappiness. Elisabeth makes the ultimate personal choice: jumping overboard. Her suicide is a bold statement, triumph of agency over reactivity. Fictionally, she has no more fucks to give, which makes her a very modern heroine.
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