Ruben Östlund explains how he negotiated with anarchists and created intensity on set while filming a pivotal scene in ‘Triangle of Sadness.’
models and influencers Carl and Yaya are not there because of their wealth— it’s because of their looks, and in Yaya’s case, her Instagram followers. Still, they fit perfectly into writer-director’s satirical dark comedy, which explores how beauty and sexuality can be used as currency just as much as currency itself.When the yacht goes up in flames halfway through the film, Carl and Yaya get stranded on a desert island with a handful of other passengers and crew.
“What are you going to do in the boat?” asks Yaya, inhaling the pretzels. “You’re a young, hot guy, what do you think she’s going to do with you?” Östlund wanted to capture Carl’s uncomfortable dilemma. “He wants to eat something, he wants to sleep in the lifeboat, but at the same time, he doesn’t want his girlfriend to be angry at him,” says Östlund. “There are two or more options, but none of them are easy.”
At first, Carl insists he’ll return the pretzels and won’t stay with Abigail. But Yaya won’t give them back. He begs her to tell him what to do. “You need to tell me how to navigate this,” he says. For Östlund, he realized that Yaya, as a woman and a model, had probably experienced this power dynamic far more often than Carl. “I loved that they were becoming rational and discussing it. What are the limits [of what] you can do if he goes into the lifeboat?” he says.
Yaya advises him to entertain her: “You just have to stroke her ego. Just laugh at her jokes and smile. Make sure to set up boundaries,” she says, adding, “Nothing sexual!” But Carl points out that Abigail will probably be expecting something, so they agree on a massage—but only of her neck.On the day of filming, Östlund says he advised his two actors to make sure the scene felt like they were dealing with a life-or-death situation.
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