Producing the Perfect Print: A Guide for Photographers

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Producing the Perfect Print: A Guide for Photographers
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How to produce the perfect photo print.

Producing a decent print is not as easy as you might think. You might get lucky and get a great result the first time. But, more likely, when you start printing your work, you’ll find it might not look as good as you’d hoped. Don’t give up. With a bit of practice and a better understanding of the process, you can quickly improve your printing.Most of the time, I don’t print my work. So, I had to learn a lot about printing in order to pass my Fellowship assessment.

Sometimes we may simply want an image on display as a decorative item. Large prints can have a strong impact in foyers, receptions, and other public areas of businesses. Screens may be impractical, too expensive, or awkward to get power to. Homes and offices can feel more welcoming and characterful with pictures on the wall.

People often spend more time with a physical print than they do with images on a screen. We are so used to scrolling rapidly through social media that we rarely take time to look closely at the pictures that come our way. Holding a print or a photo book can slow the viewer down and make them take the images in more. So, this can be especially useful for photographers having face-to-face meetings with potential clients.relies on high quality output.

There isn’t really a completely right or wrong answer when it comes to paper choice. Sometimes there can be decisive factors such as the color rendition or visibility of artifacts that steer your decision. Otherwise, it is about finding a paper that you as an artist feel suits the image. Making a conscious choice for a reason is far better than choosing a paper because it is cheap/expensive. For my Fellowship panel, it turned out that Lustre paper suited the images really well.

Another term you are likely to encounter is “bit depth”. Keep this as high as you can throughout and only scale down at the end. For maximum quality, choose the highest bit depth settings available on your camera for RAW files. Then, edit in 16-bit and only scale down to 8-bit when the file output needs it .Clipping – Black Point & White Point

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