The filmmaker also discussed the sci-fi connection between the acclaimed show's final season and the upcoming season of 'Outer Range.'
The Big Picture This interview contains spoilers for Season 3, Episode 5 of Reservation Dogs. The third and final season of the small miracle of television that is Reservation Dogs is currently in full swing with the last episodes we’ll get of these characters proving to be just as sharply humorous and reflective as all that has preceded them.
LOWE: We went as much in camera as possible, as many actual practical effects, so actually getting the ship up there, the smoke effects, and then just the visuals there. But a lot of that, too, was a lot of the sound design that we really try to go off of and really emulate a lot of the early ‘80s Spielberg movies, Close Encounters of the Third Kind, E.T. [The Extra Terrestrial], and giving that type of vibe.
I think directors are often considered to be part of the visual style, which is very interesting, but you're also directing actors. You know what's coming and what it looks like in ways they might not. It’s that relationship that I'm always interested in between actor and director, especially when it's such a character-driven show, even with all these genre elements.
LOWE: Again, Sterlin knowing his directors and his artists very well, he catered to my taste, which is The Holy Mountain, El Topo, [Alejandro] Jodorowsky movies, Enter the Void, Fear and Loathing in Las Vegas, all these great drug movies which I paid reference to. But also, I dabble a little bit too, so I knew exactly what the experience was like, to a certain degree, firsthand, so it was just a matter of embellishing it just a little bit just because it's TV and whatnot.
You're talking about that kind of visual and emotional storytelling, in the car after that, they're coming down a bit, the lighting was something that really stood out to me.
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