Thomasin McKenzie plays a woman transported to 1960s London in Edgar Wright's feminist horror film 'Last Night in Soho,' co-starring Anya Taylor-Joy.
), a fetching young blonde from the mid-’60s with big dreams and an even bigger bouffant. With winged eyeliner out to there, Sandie’s got all the swaggering confidence that Ellie doesn’t, and stepping into her perfectly soignée shoes for an evening is powerfully intoxicating, until Sandie’s ultra-cool existence becomes a nightmare.
These dream scenes in which Ellie and Sandie become doubles, seen only in mirrored reflections, are stunning achievements of filmmaking, especially the dizzying configurations of choreography, blocking, editing, and long, swooping camera movements that place Sandie and Ellie in the same shot, whirling across the dance floor, trading places. Park Chan-wook’s longtime cinematographer, Chung-hoon Chung, makes “Last Night in Soho,” without a doubt, the best-looking film of Wright’s career.
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