Willem Dafoe is too good for this dull and pretentious thriller. | ✍️ Dmitry Samarov
What follows are days or maybe weeks of alternating between desperate efforts to leave, philosophical wallowing, and clumsy attempts to create some sort of altar/site-specific art installation from the shattered fixtures and objects of the wrecked domicile.
Willem Dafoe is a national treasure who has littered his long career with fearless, groundbreaking roles. He’s the only living human we see aside from building employees and residents viewed via closed-circuit camera or in the thief’s hallucinations and dreams. I’d say Dafoe could make a dramatic reading of a phone book compelling, but I have no clue why he wanted to be involved with this movie.
Perhaps as an ultra high-end escape room experience this might be exciting to try, but as a viewer watching from the outside, it’s excruciatingly dull. Filmed in the sleek icy style of a luxury car ad, it is just about as emotionally involved as one. There’s some pretentious mumbo-jumbo about how art is the only thing that’s truly eternal, but this movie is hardly art. It’s more like proof of a dying society.
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