Guest conductor Michael Gerdes also presents Brahms and Missy Mazzoli on bill at Mandeville Auditorium
Some music seems to exist outside of human intervention. A composer’s name may be on a piece, but the music appears to have passed through them as pure inspiration.
Her harmonic language is largely consonant, owing something to John Adams perhaps in its drawing at liberty on all seven notes of the major scale, spotlighting some pitches in a rhythmically free idiom. It came to a modest apex and then receded, as if we were on a satellite leaving the planetary system.
Both Stephenson and Mazzoli were given exceptionally fine performances by Gerdes and the La Jolla Symphony, with special praise due to the clarinet, flute, and bassoon sections in “An Elemental Music.”
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