Review: Lucy Kirkwood’s 'The Children' examines a nuclear disaster like Fukushima — but with a surprising twist
Richard Howard, Jeanne Paulsen and Naomi Jacobson play retired scientists facing an environmental crisis in Lucy Kirkwood’s “The Children” at Studio Theatre. By Nelson Pressley Nelson Pressley Theater critic Email Bio Follow Theater critic May 6 at 3:40 PM The setting of Lucy Kirkwood’s taut eco-drama “The Children” is England’s east coast, but the crisis is borrowed directly from Japan’s 2011 nuclear disaster.
Kirkwood worked on a broad canvas for her “Chimerica,” a three-hour sweep of Chinese-U.S. relations viewed via an American photojournalist and his Tiananmen Square subject, also directed at Studio by Muse. Kirkwood’s “NSFW” was a fast-and-funny satire of tabloid magazine culture. While “The Children” finds Kirkwood still in a topical vein, this measured dread is new.
Richard Howard blows in later as Robin, chock-full of bluster and jokes that both women read easily; it’s not much of a spoiler to say there’s a romantic triangle among the scientists here. Kirkwood’s bigger questions emerge as the characters talk about Robin and Hazel’s children , and as Robin reports about what’s going on at the dairy farm he and Hazel were running, but that he now visits alone in the exclusion zone. He totes a Geiger counter home; it clicks from time to time.
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