Watching these two dorky-hip 20-somethings banter around South London may make you wonder why we’re so worried about the fate of the rom-com.
and flirty exchanges apologetically give way to a kidnapping and/or shoot-out, as if rushing to reassure audiences that they won’t have to make do with the mere spectacle of two attractive actors falling in love. Writing witty banter, casting leads with chemistry and coming up with reasons to throw them together and then keep them apart for the length of a movie — it can feel, at times, like a lost art, hence the overcompensation by way of bursts of automatic-weapon fire.
Allen-Miller breaks things up with stylized bursts of flashbacks and anecdotes: A theater full of Doms looks on as Yas tells the story of how she ended things with her ex, and a concert-hall-size karaoke venue goes wild during an improvised how-we-met story. But she also shoots the regular action with a wide-angle lens, all the better to catch all the vendors, loungers, and passersby along the way.
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