“It just came rushing through me like a river,” said Sweeney, who performs at Amado’s Friday night as part of a release party supporting his new record, named after his daughter.
At what point does music transcend from an exercise in catharsis to an exercise in survival — an outlet for sorrow so essential and instinctual that it is impossible to avoid?
“It just came rushing through me like a river,” said Sweeney, who performs at Amado’s on Friday night as part of a release party supporting his new record, named after his daughter. “It’s something you can’t really turn off or run from. I couldn’t really do anything else other than just embrace and exercise the emotions and feelings coming through me. I can’t take much credit for the music. It wasn’t almost like I was just a scribe.
“We had the ceremony at Rishikesh, and we were staying at a little hotel with a lawn on the river,” said Sweeney. “I wrote a lot of those songs down by the river with these kind of weird, pocket-sized instruments that I had with me.” The songs certainly are not heavy, but they are at moments devastating. On “Tangled Harmonies,” Sweeney poses the question “How do you live/if you’ve got nothing left to give?”
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