Some traps come from Catholic school.
Summary Only weeks after the events of the first Saw movie John Kramer continues to struggle with his terminal cancer diagnosis in Saw X. When he believes he has found a miracle cure he travels to Mexico with newfound hope only for it to be crushed when he learns that it was all a lie told by a group of con artists.
Kevin Greutert: Making these films work did require a lot of ingenuity in editorial that James Wan brought to the table, because that film was shot on such a short schedule and with so little money that we didn't really have all the pieces that we needed. The editing room became kind of a laboratory of creativity that made us really think outside the box. James and I shot stuff with my regular camera to supplement, and we did a lot of work in After Effects.
And then we brought that fresh aspect, or fresh eyes, in addition to the fact that we were shooting in Mexico. That was really an added layer that I truly believe the audiences are going to appreciate. The other aspect is that we're in the actual factory, so we wanted to make sure those traps were integrated, and it was believable. And the last aspect is that we have this medical theme, so each of these traps are designed for each of these characters. There was a purpose and a lot of thought put behind it. I think that was the approach.Anthony Stabley: Yeah, there's a little bit of iconography. We both went to Catholic school. You can look it up; you'll see.
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