“The reason we’re getting these is a lot of the side-hustle community. They’re not science fiction writers—they’re not even writers, for the most part. They’re just people who are trying to make some money on some of these things...'
hasn’t seen anything like this yet either, but AI presents a different set of challenges for the publishers.and other limited-demographic venues are used to a certain level of this spam anyway,” says founding cocreator L D Lewis. “We publish Black authors exclusively, for instance, which aggravates a certain racist troll contingent, or non-Black authors who want to try and prove we can be tricked into publishing their work, thus invalidating the concept of authentic cultural voice.
Publications’ differing needs when it comes to AI are among the top things on Matthew Kressel’s mind right now. The programmer and speculative fiction writer is the developer of, the submissions software used by dozens of SFF publications, and recently he’s been having a lot of conversations about computer-generated content. “The situation is rapidly evolving, and I have to keep that in mind before I develop any tools to deal with AI submissions,” Kressel says.
“Moksha was designed to facilitate publishers’ unique workflows and to be a sort of Swiss army knife of content managers,” Kressel says. “And because of those unique workflows, I have to accept that some publishers might be open to AI-generated submissions.” He cites the “CreatedWithAI” self-tagging feature onas a potential model, but he knows that “CreatedWithAI” could mean different things to different people. “Some writers have told me they use AI to generate story ideas,” he says.
Both Kressel and Clarke say current detection tools for identifying AI art are so inaccurate they’re not worth using. Like Clarke, Kressel also believes it’s important that AI measures don’t wind up excluding authors, especially internationally. “We don’t yet know if these kinds of low-effort AI submissions are the beginning of a trend, or just a blip,” he says.
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