'Sick': Kevin Williamson’s Advice for Actors Jumping into Their First Slasher Movie

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'Sick': Kevin Williamson’s Advice for Actors Jumping into Their First Slasher Movie
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Genre icon Kevin Williamson shares his advice for actors jumping into their very first slasher movie ...

All Kevin Williamson movies are appointment viewing for this Scream diehard, and he doesn’t disappoint with his latest, Sick.

COLLIDER VIDEO OF THE DAY But before discussing the action, Williamson spoke a bit about their approach to making a movie about the pandemic. With more and more films popping up addressing COVID-19, common questions tend to be, is it too soon? Or perhaps the opposite, will this movie feel dated too quickly? Here’s what Williamson had to say about those potential pitfalls:

“I think what we tried to do is take a genre that is generally presented, oftentimes, in a heightened sensibility and we were saying, let's kind of bring this almost down to an unsettling degree of naturalism where the killers are very much human and the struggles between killers and victims can be very ugly and messy and almost drawn out fights at times.” “I love that John wanted to keep it very real and natural. There was a whole talk about shoes, for example.

What Million and Adlon’s characters go through in this movie is really something else. Hyam’s natural approach to the attack scenes contributes to making them especially disturbing and vicious. But, another quality of those set pieces that make them feel quite real and powerful is that the filmmakers avoid one particular slasher movie trope — as Williamson put it, Parker and Miri “don't make one dumb move in the movie.

Given the fact that there were two first-timers and a slasher iconic sitting in our studio, I opted to ask the group for the advice they’d give to another actor out there about to jump into their very first slasher movie. Hyams was the first to offer up a very important tip; “Stretch, probably.” Williamson also added, “Just commit. They are so committed to what they're going through in this film. It’s just so real and authentic.

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