This year's slate is teeming with strong entries from the likes of Jane Campion, Joachim Trier, and Gaspar Noé
), there’s a stunning Western from Jane Campion, which gets under the genre’s skin with the precision of an X-ray. There’s a Norwegian romcom,, chopped up into 12 chapters which are often self-contained formal exercises. There’s a movie about dying, Gaspar Noe’s. And then there is Apichatpong Weerasethakul’s latest, as logic-twisting and beguiling as a dream itself.The Power of the Dog,taking a look under the genre’s hood.
Phil eventually takes to Peter, and we learn via suggestion that Phil was in turn mentored by a cowboy who died in 1903 named Bronco Henry. There’s a strong suggestion—Bronco Henry’s name written on a beefcake magazine that Peter peruses in the woods—that Henry shared a romantic/sexual relationship with Phil, and things look to be headed in a similar direction with him and Peter. Butthis is not, and the plot’s resolution is so subtle that if you blink you might miss something crucial.
Overall the tone here is light, but there’s quite a bit of philosophizing sprinkled in—most movingly is the notion that when you’re gone, you take with you the parts of a partner that only you observed. It’s a kind of contagious identity that intertwines with yours. Reinsve is plucky and mischievous without being adorkable, thank god, and feels truly like someone who is only beginning to understand herself. In another era, this foreign-language charmer would have sleeper written all over it.
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