The Sundance Film Festival stirs buzz, draws A-list stars, and screens movies that get you talking, but it can't hide the crisis facing independent filmmakers.
were just a few of the A-listers with films to promote — then you spend a lot of time shuttling from theater to panel venue to party space on the town's free buses, where there's constant chatter and debate about the film you just saw or the one you're seeing tomorrow.
Another chance bus encounter with two producers, Rachael Fung and Peter McClellan, led me to my favorite film of the weekend —"Fremont," a black-and-white dramedy centered on an Afghan woman working at a Chinese fortune cookie factory in California. It was shot in what's known as Academy ratio and, like the Daisy Ridley film, explores themes of social isolation.
The bulk of the films I saw were more commercial, and four of them centered on relationships."The Pod Generation," a social satire about the future of human pregnancy, stars Emilia Clarke and Chiwetel Ejiofor in a not-so-far-off-seeming future when affluent couples gestate their babies in pods. Before its premiere, the film won an award from Sundance and the Alred P.
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