There is something disarming about the joint presence of the ever-bashful Eddie Redmayne and the fiercely charismatic Felicity Jones that instantly feels wholesome. So when the duo embarks on a hot…
,” you can’t help but tag along and root for “The Theory of Everything” co-stars. Playing a pair of complementary trailblazers that start off on the wrong foot, the duo hand-in-hand elevates Harper’s 1862-set, based-on-a-true-story film, from a flimsy action-adventure to something worth watching on the biggest possible screen, even if it operates on a handful of clichés with little character-based substance to speak of.
This one risky invention aside, the script unfortunately settles for the bare minimum to define James and Amelia, and steadily loses air when it reaches for melodramatic clichés. Tedious and increasingly unwelcome flashbacks feel exasperating as they continually interrupt the balloon’s graceful yet perilous glide over London and undercut the brainy tête-à-tête between the leads.
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