The best horror movie of 1958: 'Horror of Dracula' CenturyofTerror horrormovies vampires ChristopherLee PeterCushing HammerHorror
Peter Cushing and Christopher Lee represented the two godfathers of Hammer Horror, and were paired up in many Hammer films—and again in productions by competing British studio Amicus, or independent films such aswhere the two have their most iconic confrontation. This is not a complex story; it’s an elemental one. Hammer’s revival of the vampire mythos trades in well-worn tropes of good vs.
Looking at these films from a modern perspective, it’s easy to lose sight of the novelty that was present in the gush of red tempera paint that springs forth from a stake driven into the chest of an undead blood-sucker, but to the audiences of 1958 London, New York or Los Angeles, it was a sight they’d literally never had a chance to see on the big screen.
. Their budgets were by no means particularly muscular, but they made the most of what they had, with ornate-looking gothic manor sets, detailed period clothing and the requisite crumbling graveyards and sinister fogbanks. Terence Fisher’s lively direction was likewise a dependable element that helped launch each of the primary monster series, from
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