The best horror movie of 1966: 'Dracula: Prince of Darkness' CenturyofTerror horrormovies dracula vampires HammerHorror ChristopherLee
was director Terence Fisher’s last time helming an entry in the iconic vampire series, and with this opportunity he delivers a good old-fashioned, no-frills gothic chiller. It’s easily the least complicated of the sequels featuring Christopher Lee as Dracula, and arguably the most effective as a result.
There’s nothing superfluous in this film—it’s a basic, antiquated setup and somewhat dated aesthetic, but it feels as if this was all by design; a conscious return to the roots of the character. You can sum it all up in one sentence: A group of four English travelers is lost in the hinterlands, where they make the phenomenally bad choice to take shelter in Dracula’s seemingly abandoned castle, reawakening the vampire in the process.
Visually and tonally, the film maintains a serious, spooky edge. We play through all the classic vampire tropes, from Dracula’s animal magnetism with the ladies to his weakness when confronted with holy symbols, but there’s a sense throughout that for all these helpless modern travelers, it’s only a matter of time before the vampire picks them all off. In that sense,movie would probably EXPECT to see in one—a sort of greatest hits reel for the entire vampire genre.
Christopher Lee, it must be said, is at his best despite limited screen time—he looks regal and commanding, but more than a little crazed. He has a grand total of zero lines of dialog in, instead behaving more like a barely restrained animal, although the cause for this lack of dialog has since passed into horror genre legend.
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