Making a masterpiece ain't easy, even for Pixar.
When it comes to which Pixar film is guaranteed to make you sob like the filmmakers personally visited your home and personally ripped your chest open, there's no shortage of options. After all, the animation studio made its exalted name through nuanced moments of unforgettable poignancy. For most, however, the answer to "Which Pixar movie destroys you the most?" is probably not one film but a single sequence: the opening ten minutes of Up.
COLLIDER VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT It's wild indeed, and a testament to art's power. It's also surprising to learn why such a universally beloved and lauded prologue came to be: because the filmmakers needed to info-dump. Carl , the miserly main character and mourning widower, needed his motivation established and his history introduced. Similarly, and most paramount, the audience had to care about Carl.
But the visual of a house isn't a home unless it's earned that emotional gravity. The team used every mise-en-scène technique in the book to ground "Married Life" in pathos: including Ellie and tying her personality to bright colors, the lack of dialogue, the lighting, the timing of the camera's movement, etc.
Smaller moments like spring picnics and casually holding hands while reading sell the couple's easy affection. Once they decide to have children , Carl and Ellie paint a baby's room that's as wistful, sun-dappled, and loving as everything else she's touched. Then the camera shifts from the radiance they've crafted into a hospital's cold, gray hostility. Miscarriage and infertility are still rarely discussed in visual media, let alone animated features aimed at children.
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