'In 'The Flash,' Ezra Miller is insouciant, irritated, irascible and irresistible, like Andy Cohen on a bender of high anxiety.' Read the review here:
In comic-book movies, when it comes to a hero’s superpowers — flying, lifting objects, repelling bullets, the indomitability of a shield or hammer — the audience is almost always on the outside looking in. But in “,” when the title character throttles forward at the speed of the hot-singe lightning streaks at his back, or floats through the air in slowed-down motion so beyond bullet-time that a mere second appears to last forever, the movie makes us part of the experience.
Miller’s the Flash is an old friend, of course, from “Batman v Superman: Dawn of Justice,” “Suicide Squad,” and both versions of “Justice League.” But Ezra Miller has never gone full Ezra Miller the way they do in “The Flash.” With sculpted dark brows, almond eyes, and insinuating lips, the actor is a mesmerizing camera subject, like the young Jimmy Fallon crossed with the young Bob Dylan. But it’s the voice that gets you.
Suddenly, there are two Barrys: the one who traveled back in time, and the one who’s an 18-year-old college freshman, with longer hair, an even bitchier attitude, and no superpowers; he has yet to have that fateful accident where a lightning bolt strikes a lab shelf of beakers, electrocuting Barry in a baptism of chemicals. And suddenly the world is a different place too, with criss-crossed pop-culture wires, so that the star of “Back to the Future” is now…Eric Stoltz.
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