‘The Humans’ Review: Screen Adaptation Of Stephen Karam’s Tony Winner

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‘The Humans’ Review: Screen Adaptation Of Stephen Karam’s Tony Winner
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TheHumans opens in theaters via A24 on November 24 and will be available to stream on Showtime the same day

, the directors have augmented the impact of their plays — each talkathons limited to single settings onstage — via the diabolically shrewd strategy of making the spaces where the action takes place at least as important as any of the people occupying them. You could even argue that they exceed the power of their inhabitants to become absolute determinants in their lives.

Arriving from Philly is Brigid’s sister Aimee , who’s just broken up with her girlfriend, and rounding out the group of occasionally cheerful malcontents is Grandma Momo , who’s out of commission with Alzheimer’s. No one’s going to be playing Monopoly or poker this evening. But no matter how individualistic, colorful, funny, irreverent or assertive any of the characters may be, none can compete with the elephant not only in the room, but in NYC at large. With the spectre of 9/11 still hanging over the city, the vibes connoting vulnerability, uncertainty, civic instability, the unforeseen, and everything else that could possibly instill one with a full dose of fear and paranoia is to be felt with every inhaled breath.

New York City has been both celebrated and denigrated in movies for as long as they have existed. With the window views so boxed in that you can barely glimpse anything, the metropolis hardly plays a physical role inat all, and yet it dominates everything; from the opening moments, you’re made to feel confined and afraid of what might be out there. The limited views of what’s outside are threatening, fear-producing, and the sounds punctuate the proceedings like shocks to your very being.

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