'The Lion King' 'Virtual Production' Could Be a Game-Changer for Filmmaking

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'The Lion King' 'Virtual Production' Could Be a Game-Changer for Filmmaking
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Disney's digital remake points to a future where VR could reduce the time (and money) it takes to make even the most complex movies 'without the physical limitations.'

But aside from an early trip to the continent, much of Favreau's work actually took place in the Playa Vista area of Los Angeles, viewing his expansive locations through virtual reality headsets. Oscar-nominated cinematographer Caleb Deschanel and his crew had their Steadicam, crane and other camera supports systems on the stage, but they too were planning their shots by looking at their locations in VR.

"It offers the opportunity to make the process more efficient, the quality higher, the quality of life better [for filmmakers], and allows stories to be told that formerly could not have been told," Favreau says. "Now we have more tools, your imagination can run more free."The Revenant, Of course, there still will be comparisons, not always favorable, between the feel and aesthetics of CG and those of live action. And because these approaches are so vastly different, direct budget comparison can be difficult. Disney didn't revealit was roughly $250 million — not cheaper than a typical tentpole, but costs are expected to come down in the future.

For Legato, the reduction really boils down to the time between iterations — meaning, before virtual production a studio might create a VFX shot, get notes, go back and revise, re-render, etc. With virtual production, decisions that would normally take weeks can be made in minutes. "Each project is a puzzle and each puzzle requires a different solution," says Favreau, who already is using some of the new techniques for his upcomingfor Disney+.

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