‘The Lost Daughter’ review: Maggie Gyllenhaal’s directorial debut a searing portrait of motherhood

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‘The Lost Daughter’ review: Maggie Gyllenhaal’s directorial debut a searing portrait of motherhood
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Olivia Colman, Dakota Johnson and Jessie Buckley star in Gyllenhaal's Elena Ferrante adaptation.

, Gyllenhaal’s husband, plays a professor at a conference in one of Leda’s flashbacks.

However, any sense of pleasant vacation vibes are undercut in Gyllenhaal’s film by images of decay and unwelcome scourges from the natural world: Rotten, maggot-infested fruit in Leda’s apartment, a buzzing bug on her pillow, a pine cone that hits her on her back, a big worm she finds in Elena’s doll.

At a local movie theater, Leda becomes distraught when a crowd of boys won’t quiet down. She storms out, teary-eyed, when the kids “win.”In "The Lost Daughter," Nina opens up to Leda about motherhood and the trials of being a parent.Nina — played to great effect by Johnson with inky hair, gold hoops and penetrating blue eyes ringed in black liner — longs for escape.

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