Filmmaker Anton Corbijn talks his new documentary Squaring the Circle: (The Story of Hipgnosis), about the trailblazing graphic-design crew, at Sundance
The interviews look like your photographs: these stark, black-and-white portraits lit from the side…
As you started to talk to Po about the legacy of Hipgnosis and the creation of those covers, how did it change your own relationship with the artwork on those covers? And the music on those albums? You get a sense of the friendship between Storm and Po in the movie, but also how incredibly different they were. What was it about these two specific personalities that produced the right amount of creative friction to make the Hipgnosis stuff happen — and to keep them doing it together for so long?
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