Amy Sherman-Palladino and Dan Palladino break down MrsMaisel's long-running will-they, won’t they
set fully cooked. Like she was an expert comedian. She didn't know she was an expert comedian.Liza auditioned for Rory. She was so good, though, that we said, “Okay, well, we got to have that girl.” And so we wrote Paris for Liza.and she was sort of just about having her children there, and now she's matured into this beautiful woman.... So it's fun. I mean, we'll keep doing it as long as we're alive; she's going to outlive us.
We love this time period because it's a time period of change. You know, the late '50s, early '60s, a lot was changing. You're going to be heading into the '60s civil rights, it's like attitudes were shifting. It felt like a good time to drop this woman who is kind of straddling the past but pushing to the future into this exact time period.
You know the world back then, also in the research that we did, they were like their own island, you know? They policed themselves, and a lot of it was because nobody knew the language. So they existed as if they were almost like they came from China, they came here, and the revolution just happened and shut down China, and then they're sort of here recreating this whole world. And it just felt sort of interesting and colorful and mysterious.
And I feel like I'd be remiss if I didn't ask about Lenny Bruce. He and Midge have had a sort of quiet will-they-won’t they throughout the series, but this season it feels more explicit.I think a lot of times when we see a man and a woman, [we ask] “will they, won't they” right from the get-go.
When we cast Luke, it was just for the pilot. We had absolutely no real intention of bringing him back and continuing him. But when we looked at Luke. In addition to doing the real essence of what Lenny is, he's just a great actor and just a darling guy. Every time you get them together, they just had a camaraderie and a chemistry—and it was the fact that he wasn't looking at her like, “I just want to get in your pants.
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