When it premiered in 2015, MrRobot seemed to be a show about Big Ideas. It wasn’t, but this final season still offers plenty of reasons to watch, says TV critic Alan Sepinwall
in the network’s current lineup — or in the broader world of television. Malek was never even nominated for another Emmy after that first win. Though he’s a star today, and Esmail has an ever-growing library of shows he’s producing,itself now feels like a beautifully-made anomaly, rather than the phenomenon it appeared to be that first summer.
One upcoming episode flashes back to 1982 to detail Whiterose’s origin story, and there’s a long sequence in a hotel room where the TV is playing a vintage promo for USA, which at the time described itself as “The Great American Network.” The series’ entire arc has taken place over a very compressed timeline, meaning that it’s only December of 2015 when the final season begins. So what was once as au courant as TV gets quickly turned into a period piece, even as the actions of Elliot, Whiterose, and E Corp boss Phillip Price have radically diverged the show’s reality from the tail end of the Obama era.
That episode is also a good example of how the show’s stylistic gimmickry can feel seamless rather than self-indulgent, as it wasn’t until later that I realized it’s almost entirely dialogue-free.
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