The 10 definitive shows of the 2010s that we wish we'd seen. voguerunway2010s
We’ve spent a lot of time this year discussing the fashions of the 2010s—charting trends on both the runways and the street; measuring collections against each other; and weighing in on such phenomena as leggings and the ubiquitous dad sneaker.
When we talk about community and inclusivity, as we rightly do and should, it’s Rose’s show that we need to be thinking about. Not just for her design brilliance—that leopard bomber jacket; those shirts and pants scrawled and daubed with stripes—but also for the way she made the experience of fashion available and accessible to all. Her vision of what we might want to wear is never divorced from the quotidian experiences of 21st century London—hers, and that of so many others.
“The inspiration is an ossuary, the crypts of the cardinals, of the monks in the 15th century, and the precious decorations,” Gucci’s creative director Alessandro Michele declared on Instagram before show time. “This idea is that everything that is linked to the afterlife is accompanied by something of maximum beauty. It’s the idea of death as fascination.
Allow me to start with the setting: each salon paneled in floor-to-ceiling monochromatic flowers: What was the fragrance of all that mimosa? How did it feel to run one’s hands over so many tightly packed orchids? The backdrop of deep blue delphiniums from the runway photos remains breathtaking to this day.
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