The Oscar-Nominated Women Behind ‘Elvis’: Gail Berman, Catherine Martin & Mandy Walker Speak On The Man, The Myth, The Movie

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The Oscar-Nominated Women Behind ‘Elvis’: Gail Berman, Catherine Martin & Mandy Walker Speak On The Man, The Myth, The Movie
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When one thinks of women and Elvis Presley, it’s either his widow Priscilla, his late daughter Lisa Marie, or the legion of ladies left weak in the knee when the badass kid from Tupelo, Mississippi…

, days before the movie was to begin production. Maybe it’s because we’re all still in denial about the pandemic?What a day that was. I got the call from Warner Bros and they said that they needed to talk to me. I left a table read and was back in Los Angeles because I had a pilot going and had to be back. Tom was going back for the Academy Awards. I got a call from Warner Bros and they said we’re gonna tell you something. You can’t repeat it.

I had lenses made for the movie to represent the different periods of time. I had spherical lenses made for the ’50s and ’60 that were what I thought represented images from that period, whether they were movies or still photography or some of Elvis’ home movies from their collection of photographs they had, but also from artists that were shooting at that time. Still photographers such as Gordon Parks, who was shooting during the civil rights movement in and around Memphis.

People ask me about how I got interested in film. I came home from school on Long Island every day and watchedon weekends. What wound up happening was, I would learn this later when I became a television executive, that the movies that they put on were inexpensive movies that they could get to program their local stations. All the Elvis movies played that channel, but the one for me wasDEADLINE:

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