You may not know what the hell has happened by the conclusion of 'The Outwaters,' but it’ll be hard to forget the brutality. Read beastobsessed's review:
has always been a mixed bag, caught between playfully exploiting its pseudo-documentary techniques for jolty terror and floundering about trying to posit its mayhem as “real.”doesn’t at first deviate greatly from the template set by its predecessors .
Conversational snippets about the present Scott got from his mom, as well as Robbie’s later phone calls and visit to his mother, suggest strains of familial estrangement, and as with his other subjects, writer/director Banfitch doesn’t fill in the blanks, allowing audiences to infer what isn’t overtly enunciated.’ storytelling approach.
They’re a friendly and cheerful foursome, as well as rather featureless, save for the impression that Scott is a bit reserved and stoic , Michelle is an artistic soul prone to breaking into song and twirling in circles, and Ange is jovial and game for an adventure, having never previously visited the desert. They’re recognizable types and, due to the fundamentally patchy and incomplete nature of these recordings, also somewhat spectral.