Canonizing Biz Markie as a one-hit wonder more than misses the mark, writes _ShamGod: 'It requires a fundamental misreading of hip-hop history and the genre’s cultural touchstones to arrive at that distillation of his life’s work.'
Canonizing Biz Markie as a one-hit wonder more than misses the mark; it requires a fundamental misreading of hip-hop history and the genre’s cultural touchstones to arrive at that distillation of his life’s work.
Canonizing Biz Markie as a one-hit wonder, though, more than misses the mark; it requires a fundamental misreading of hip-hop history and the genre’s cultural touchstones to arrive at that distillation of his life’s work. Markie’s legacy exists well outside the opening and closing notes of his most popular track.
While Markie’s second album, 1989’s The Biz Never Sleeps, proved to be his biggest success due to the popularity of “Just a Friend,” his third album, 1991’s I Need a Haircut, led to a turning point in music history with lasting ramifications for the hip-hop industry. “Alone Again,” the 12th track on the album, quickly became the focal point of a lawsuit by artist Gilbert O’Sullivan owing to allegations of unauthorized sample usage.
Markie’s manager, Jenni D. Izumi, said in a statement following Markie’s death on July 16 at the age of 57, “Biz created a legacy of artistry that will forever be celebrated by his industry peers and his beloved fans whose lives he was able to touch through music, spanning over 35 years.
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