Eastwood takes criticism as only he could, and translates it into a riveting piece of cinema.
The Big Picture The year was 1977, and it was a particularly interesting year in Clint Eastwood's life. He was in the midst of a drastic image change, brought upon by his irritation with critics' perceptions of him and his characters. The Gauntlet was filmed that same year and the result was representative of his perpetual metamorphosis.
The two are chased around the state and are marked as fugitives by the local authorities. It is eventually revealed that it was the Police Commissioner, Edgar Blakelock , who wants them dead because he is the one Gus has secrets on. After several misadventures, the two realize that fighting the commissioner head-on is the only way to prove their innocence. They hijack a bus and enter Phoenix when an old friend of Shockley warns them of their impending doom.
Clint Eastwood, because of his rising stock, had the ability to exercise some bit of creative control over the characters, even if he wasn't the director per se. When Dirty Harry was derided by critics like Pauline Kael as fascist and dictatorial in his approach, Magnum Force artistically separates the character from the assumption. When people thought of his characters as chauvinist and misogynist, the feminine spirit of The Enforcer came to dismiss those claims.
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