Tony Gilroy Built Andor’s Finale Crescendo First

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Tony Gilroy Built Andor’s Finale Crescendo First
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In conversation with roxana_hadadi, Andor showrunner Tony Gilroy illuminates the long road to Maarva’s big moment

to track Cassian’s evolution, in the span of a year, from passive dissenter to rebel willing to risk his life to combat dictatorship.has been in a while, and for Gilroy, it’s another opportunity to explore how human emotion, in all its forms — empathy and aggression, angst and love — is more potent than any system that attempts to control it.is a portrait of the central character’s radicalization, but also of the planet Ferrix, where he was raised.

Ferrix is one of a few new planets on this show, as well as Kenari and Aldhani. How did you write new cultures, new rituals, new belief systems for these places? You said the final line of this season is important to understand where the story is going, and that line is Cassian’s “Kill me or take me in” to Luthen. What should we glean from that?. Those Stations of the Cross Cassian marched through during the first 12 episodes, there’s no turning back from that. The issue we willYou’re a great writer of negotiation scenes.

The other day, I had to make a presentation package for somebody, and I had to rush some scenes that were not finished. I got into one and I realized the foundation of it was built on a swamp. Mon, Cassian, and Luthen are all performing a version of themselves — there’s a private self and a public self because they’re living in this time of excessive watchfulness. As a writer, how do you find the line between a character’s sincere self and their mask?

in space,” because I thought there were certain similarities between various lines and characters. Cassian’s “Do I look thankful to you?” made me think of Michael’s “Do I look like I’m negotiating?” Dedra and Karen are both middle-manager-style villains. Did you think about that while working on the series?

Then we married it to those shots, and when we did the music, it was really Nick. It was a big burden. Music asks for stuff. What do you ask the audience for? Are we being greedy? Are we being proper? Are we being respectful? I’m very proud of that speech.

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