THR's executive editor of awards offers his thoughts after the fest's awards ceremony.
As always, the final days of the fest were considerably lower-key than those before them, with much of the press having departed and most of the buzzy films having screened. The homestretch, however, is when lower-profile gems are often discovered, as I was reminded by a few screenings.
’s follow-up to his 2015 Oscar-nominated, proved to be the definitive portrait, thus far, of the ongoing Russian atrocities — and remarkable resistance to them — in Ukraine. Afineevsky, who was born in Russia, made the entire film in the last six months, spending a chunk of that time on the ground in Ukraine himself. And critics and audiences alike called it powerful and disturbing after its world premiere at the Venice Film Festival and then its North American premiere at TIFF.
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