'A God Walks Into Abar' stands out as the decisive Doctor Manhattan hour of WatchmenHBO
about what was involved in translating two dozen dialogue-driven pages set at a bar from test to screen, working with Abdul-Mateen II on developing a new look and sound for Doctor Manhattan, and why the episode feels like "one of the riskiest" moves of the series.At what point in development did you learn about the wayBecause I was executive producing the whole thing, I was brought in at the beginning. I knew right away, from the get go, who Cal actually was.
We had multiple rehearsals, to find all of those nuances. One of the things I'm most proud of and really enjoyed in this series was the work with Yahya to find that character. It was one of the riskiest moves we made, having Yahya play that character with a different voice. We really had to do research to find that voice. It was a real process. We took the time to explore the different sounds and mannerisms, all of the subtle differences. We talked at length about who he was, where he was.
I love them all — it's like picking a favorite child. The sequence in Karnak was incredibly delicious to film, especially with getting Jeremy and Yahya together. The bar was an incredible challenge, too. Those three days were probably the hardest days of filming. On top of doing all these wild action scenes, here we're having to figure out how to do 25 pages of dialogue between two people at a table, without showing Manhattan's face. It was insane.
As with Yahya, I did meet with Regina to really go through the script. The thing for her is that we really wanted to capture the energy of someone ten years earlier in their life. The chemistry was instant between Regina and Yahya. I didn't have to handle that at all. When we first meet Angela, the last thing she wants it anyone's company, or to be hit on, especially a weirdo in all blue wearing a blue mask.
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