Perhaps it’s fitting that “Westworld” is the recipient of the most extensive, and jarring, reboot in recent TV history. After all, the show’s characters are hyperintelligent androids, forced in the…
After all, the show’s characters are hyperintelligent androids, forced in the show’s early going to forget who they once were and what they’ve endured in order to begin their “storylines” anew. Later on, these unhappy automatons discovered the power of self-reinvention, grafting onto themselves new capabilities and identities.
Wood remains a compelling presence at the show’s center, but it can be hard to root for a character who’s forced to read hokey lines like “ Others fare better, at least; Tessa Thompson’s performance as an android masquerading as a corporate-suite human is an elegant way to deploy Thompson’s natural chilliness, and Thandie Newton, whose majestic journey through the mind in season 2 won her an Emmy, at least gets to have some fun this time around, traversing through various worlds and assuming new guises in a subplot whose wheel-spinning has the benefit of being somewhat dazzling.
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