WGA-Agency Showdown: Role of Showrunners at Heart of Legal Arguments

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WGA-Agency Showdown: Role of Showrunners at Heart of Legal Arguments
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The Los Angeles courtroom of U.S. District Judge Andre Birotte was packed with well-dressed lawyers on Friday morning, eager to watch a high-stakes brawl between Hollywood’s largest talent ag…

The judge distributed his tentative ruling beforehand, and from the body language, it was clear who won. The attorneys representing the Guild had a sober demeanor, while the lawyers on the agencies’ side were all smiles.

He spent much of his time arguing about showrunners, referencing Dick Wolf, the executive producer of the “Law & Order” franchise, as an example of someone who has been dragged into the fight even though he no longer writes episodes.Kessler argued that showrunners who serve as producers should not be considered “labor parties” under the law — a distinction that is important to the WGA’s case. “If you’re a producer, you’re not in wage competition with the writers.

“They’re trying to use to restrain trade in the product market… We allege this is going to have very adverse effects on the production market of television shows,” he said. “That is an illegitimate union purpose. It’s not a traditional means, and it’s not a traditional objective.”She argued that showrunners are not forbidden from dealing with non-franchised agents if the showrunners are acting only as producers.

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