Anicka Yi's new perfume joins a lineage of fragrance as art.
Nourishment was provided by way of petal-strewn Rose Bakery hors d’oeuvres, and in the air, Joel Mainland of the Monell Chemical Senses Center digitally mixed synthetic, “nature-identical” molecules for guests to trial via an olfactometer—a smell synthesizer linked to DJ software.
Scientists and historians of flavor mingled with chefs, scent aficionados, and admirers of Yi's work. At one point, an artist called Bradley Eros approached Yi, iridescent in a pneumatic, a celluloid-inflected scent of “silver, dust, and light.”launch—in a fashion space, no less—echo the variable nature of Yi’s practice, which engages with how the senses are, as she notes, always “politically oriented and conditioned.
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