The $10 million Japanese monster movie is so impressive, even Steven Spielberg is obsessed with it
At the Oscar nominees luncheon last week, Godzilla Minus One writer-director-VFX supervisor Takashi Yamazaki had a moment so surreal he wasn’t entirely sure he wasn’t dreaming. In a room full of A-list talent, there was only one person in the room he really wanted to talk to. That person was Steven Spielberg, and as it turned out, the acclaimed filmmaker really wanted to talk to Yamazaki, too.
Godzilla, who appears in two different iterations, looks magnificently menacing, the period details are stunning, and the water effects are especially meticulous. The film certainly deserves recognition for that, but if you take into consideration the efficiency and effectiveness of what the 35 artists at Shirogumi accomplished, compared to, say, the team of more than 400 from multiple FX houses who worked on Guardians , it’s no contest.
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Why not check out Why's only rock and jewelry shop?Adam Klepp is KGUN 9's Marana reporter. Send your story ideas to Adam at Adam.Kleppkgun9.com.
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