Rosalia's third album, MOTOMAMI, was three years in the making: “I spent a year on vocals, just choosing the right [one] for every song,” says the singer.
I appreciate that you talk about Björk, because thank God that she opened up the path, thank God that she exists. There are women who are [producers] with big beautiful minds, but I feel like there’s not enough light put on that. At the end of the day, I push myself so much as a writer, as a producer, and in this process I really, really, really, really grew.
She has such a strong energy, she’s very playful. She writes her own shit, she goes to the studio, she knows what she wants. I love that she’s so unapologetic with who she is and how she is. It’s been such an amazing thing to be able to travel to La República Dominicana, to make music with her. In other projects, my main inspiration was flamenco, but since I was 12 I’d be with my cousins, we were all girls, and we’d always sing out loud Lorna songs, Don Omar songs.
I mean, that’s just my truth. This is my experience. And it’s very important for me to say that this is my truth, because I empathize with the fact that people feel differently, 100 percent. But for me, music is a human manifestation and this is what makes me feel excited to wake up every day. This is what I feel happy to do every day. It’s almost mental health to make music to me.
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