The Yeah Yeah Yeahs' first new record in nine years confronts environmental ruin and pandemic-era isolation but ends at a vantage of hope — one that sounds like it took all the intervening time to reach.
comes to mind — three films that each waited nine years between release, dropping in on its loquacious heroes Celine and Jesse at pivotal moments in their romance, their conversations always shooting out sparks.
As New York hedonism once coursed through Yeah Yeah Yeahs, now Los Angeles pathos does. It's where ever-riveting frontwoman Karen O now lives, along with every other person you once tore upwith. It's also where the band partially recorded the album, shortly after a wildfire season that left skies red and raining ash."It was apocalyptic," Karen O told"That really seeps into your psyche, especially after a year of total dystopia of the pandemic.
to public uproar. Or perhaps just enduring the natural timeline of grief, impassive to our desires that it hasten.revels in constant synths and the patient noir soundscapes they conjure. On"Lovebomb," producer Dave Sitek stacks them in pensive, rising hues, evoking palm trees slowly catching sunlight after warm navy nights; Karen O's cratering gasps quickly settle into a sort of half-spoken intone, adding an ominous breeze.
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