When Robert Guédiguian returned to this year’s Venice Film Festival to premiere his latest film, “Gloria Mundi,” he brought nearly the exact same cast that joined him at the 2017 Venice festival fo…
to premiere his latest film, “Gloria Mundi,” he brought nearly the exact same cast that joined him at the 2017 Venice festival for his previous outing, “The House by the Sea.” That is because the French director has built a tightknit troupe over the years, working with the same actors time and time again.sat down with the filmmaker in Venice to ask about his stable of collaborators and his thoughts on recent industry trends.
It’s like working in a theater troupe, and I’m the leader, the spokesperson for group. I have known these actors for a long time, so they tell me stories, and we share a lot between ourselves. I know their views on the world, on art, cinema, and theater, so I’m the scribe – I write. Of course, it would be tough if we had to work together all year long, but that’s not the case.
You have to do comedies and tragedies. Sometimes to show the world as it is, and sometimes how it could be. When you want to show the world as it could be, you make a comedy. I like both and I think both are necessary. According to my mood, my condition, my annoyance, I’ll write one or the other. I’ve made darker projects like “Gloria Mundi,” some more optimistic things like “The House by the Sea,” and some very comical things a few years ago. Maybe I’ll have to do one of those again.
The new head of the CNC is a former film financier. We didn’t contest the man, we contested the manner in which he was appointed. He was with Macron from the very beginning, and thus was given a reward for his support. These are practices we do not like very much all over the world, but in France we say it loud and clear.
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