DirectorsOnDirectors: Filmmakers like RealGDT, GhostPanther, LeslyeHeadland, Karyn Kusama, Alejandro G. Iñárritu and more praise their favorite movies of the year
Not only was the flamethrower used by Leonardo DiCaprio to torch Nazi soldiers and a member of the Mason family in “Once Upon a Time in Hollywood” real, but the flames felt by the stuntmen on set were real, too. “The first day I used that [flamethrower] was a really hard day because they had [...
Read more from Variety’s Directors on Directors, in which filmmakers praise their favorite movies of the year, here. Light and sky. Rain and wind. Sea and smoke. These are the fearsome natural elements that Robert Eggers’ “The Lighthouse” explores, creating a modern cinema that manages to look both backward and forward. Backward, to an almost square format [...]
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Our Site Director's Favorite Recipes of 2019The Epicurious Test Kitchen created over a hundred recipes this year. Our site director probably shouldn't pick favorites. But what do you want from him? He's human!
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'Hustlers' writer-director Lorene Scafaria had to do her own dancing to get the film madeLorene Scafaria's 'Hustlers,' a female empowerment movie of a different stripe, kept getting rejected. No one was ready for flawed women characters.
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‘United 93’ Director Announces Remastered Edition Digitally Removing WTC From FilmLOS ANGELES—Explaining that he doesn’t want the presence of the buildings to distract from the film’s core message of hope and friendship, director Paul Greengrass announced Wednesday a remastered edition of United 93 that will have the World Trade Center digitally removed. “In order to avoid forcing people to relive the trauma of 9/11, we are working with a graphics team to remove the Twin Towers from all the background shots of United 93 for the upcoming remastered release,” said Greengrass, explaining that for many Americans the World Trade Center buildings were a distressing symbol of the tragic attacks of 9/11 and failing to digitally delete the structures from the Manhattan skyline would distract from the film’s human story of overcoming challenging obstacles. “I mean, sure, historically speaking, the towers should be there, but keeping them in would unintentionally make the terrorist hijackings of that day a focal point of the story, which is the last thing I want, as the film has nothing to do with them. In the new version, the skyline will be altered to not include the WTC and the planes will safely travel to their destinations without a hitch, which I hope will provide audiences with a much more comfortable viewing experience.” Greengrass told reporters that the measure came in the wake of similar decisions by the directors of Fahrenheit 9/11, World Trade Center, and 25th Hour.
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Your Savior Is Coming: Watch the Trailer for A24's Saint MaudThe debut film from writer-director Rose Glass is described as a “chilling vision of faith, madness and salvation in a fallen world.'
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For Alma Har'el and her first feature, 'Honey Boy,' the awards trail is an odd place to beWith her first narrative feature, 'Honey Boy' with Shia LeBeouf, director Alma Har'el finds herself in a strange new land — the film awards trail.
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Angela Bassett Reveals 'No One Thought I Would Be Good' in 'What's Love Got To Do With It'Angela Bassett Reveals 'No One Thought I Would Be Good' in What's Love Got To Do With It
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