Wenner revealed to The New York Times that he allowed interview subjects (often his famous friends) to edit their transcripts: 'They were always meant to be cooperative interviews.'
Marchese asks Wenner to further explain the selection process which is addressed in the book’s introduction where he writes that performers of color and female performers are not in his zeitgeist. “When I was referring to the zeitgeist, I was referring to Black performers, not to the female performers, OK? Just to get that accurate. The selection was not a deliberate selection. It was kind of intuitive over the years; it just fell together that way.
Wenner says he based that assertion on intuition, reading interviews and listening to music. “I mean, look at what Pete Townshend was writing about, or Jagger, or any of them. They were deep things about a particular generation, a particular spirit and a particular attitude about rock ’n’ roll. Not that the others weren’t, but these were the ones that could really articulate it.”
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