Pablo Larraín joins me on the premiere of our new Oscar-season edition of my Deadline video series Behind the Lens as we explore and dissect the ever-growing fascinating film career of this Chilean…
Pablo Larraín joins me on the premiere of our new Oscar-season edition of my Deadline video series Behind the Lens as we explore and dissect the ever-growing fascinating film career of this Chilean-born international auteur. His latest movie,has been drawing Oscar buzz ever since its debut earlier in the fall at the Venice Film Festival.
Among the topics we discuss are the interesting turns in Larraín’s unique filmography, particularly in terms of genre. His first few movies focused on men, usually very strong men, in films like 2006’ss he explains to me, somewhere along the way he became just as intrigued by a variety ofJackie, which earned a Best Actress Academy Award nomination for star Natalie Portman as Jaqueline Kennedy Onassis and nowa self-described fable about a very real tragedy that chronicles a key Christmas season weekend in the life of Princess Diana. Kristen Stewart in the title role for which she has been widely praised.is a portrait of Diana, real but mostly imagined, that no one has put on screen before, and probably only Larraín would even think of .
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